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Another One Bites the Dust

Jan 13

Hello everyone! I hope you all have had a wonderful holiday season. Fall Semester is finished, and I am glad to be done with it, but also excited for Spring Semester. I am especially looking forward to an Honors Seminar discussing the topic of spatial design. Most of my Fall work has been added to the portfolio (although I must keep some a surprise for now). I have enjoyed winter break and the time to relax and reunite with high school friends. During my time off, I have been working on some invitations etc. for my brother’s upcoming wedding, as well as working on album art for Milwaukee pop-punk band Green Means Go (formerly THD). Additionally, a couple opportunities for volunteer design work have come up, and I am hopeful that I will be able to contribute to them. I am excited for what the next few months hold and I hope you all have a wonderful beginning to 2009. Ciao!

Change the World

Dec 11

Earlier this semester, the day I had been waiting for finally arrived: the first screen-printing project in Color and Form. I was excited to finally dive into a medium that I had heard much about but never been able to use. However, the assignment itself was rather challenging—I was to create a poster, using only imagery, that showed a problem in the world, how I would change it, and the result of what I would do. Several obvious things came to mind: energy, nature conservation, recycling, etc. The problem was that I couldn’t seem to figure out how to depict what I was already doing in those areas using imagery. Sure, I could think of plenty of “call to action” type posters, but when it came to showing what I was doing or would do, ideas didn’t come so easily. In spite of this, I kept coming back to something I have wanted to do for a while. At some point in my life, I would like to take time abroad as a photojournalist of sorts, raising awareness about social justice issues while helping those in need. Some people argue that doing such a thing has little value, but I think that oftentimes there are many international tragedies to which we, as a nation, are unaware or inattentive. Even when we do know of such things, it seems to remain as an abstract concept in our minds until we are confronted with an image of a skeletal, starving child or weeping woman grieving the loss of her son. For the record, I don’t want to be the kind of photographer that just takes a picture and then moves on. In the past, photojournalists have felt that it was best not to intercede for various reasons. In contrast, I not only want to take photos of what is happening, but do what I can to help while I am there. The poster below is meant to be a depiction of these ideas. Towards this end, I have enrolled as an art minor with emphasis in photography. I hope that someday I will be able to travel abroad and use what I have learned to truly benefit others. Despite these current plans, I am constantly realizing a couple of things: firstly, I don’t have all the answers, and secondly, I cannot save the world. However, I can make the world a better place and I am always examining such issues to try and find where I fit into it all.

CMYK

Design Changing Itself

Nov 14

School was a bit tedious at first, but once I got settled in and got the initial projects out of the way, class assignments became more engaging. The following was the second project for my Drawing and Illustration class, with the objectives of redesigning a bottle and creating a visually interesting final image. We were instructed by our professor not to be overly concerned with making a bottle that was practical, but to be primarily concerned with creating a final image that was aesthetically appealing. I decided to redesign a bottle of Archer Farms Italian Soda because I felt that the current design was simple enough that I could rework it in many different ways.

As inspiration for the bottle redesign, I began looking at vintage food posters. I enjoyed the organic, curvilinear forms and the vintage bottle shapes. In class, my professor suggested that students begin by creating silhouettes of bottles and labels using colored paper. I tried this method, but it felt a bit too concrete at that point, so I went back to the drawing board and sketched various bottle and label concepts. While considering the labels, one thing that bothered me about the current design was an inconsistency between the product name and some of the other text. A label at the top read “Bibita Naturale D’Italia,” while the brand on the lower label read “Archer Farms”—not so Italian. I decided that to resolve this conflict I would abstract the Archer Farms name into an “AF,” while retaining the trademark rooster so that the brand would still be recognizable to customers.

I continued on to the paper silhouettes, which helped me work out labeling for my five best concepts. After modifying the forms and receiving critique from classmates, I narrowed them down to the top two in the image on the right. I began considering which of the two would be best. I chose the concept on the left because it was a more modern, original design and because the one on the right had a shape that carried connotations of alcoholic beverages.

I then began to work on modeling the new bottle. We were allowed to use any medium for this, and I chose to render it in Google SketchUp. Once I had constructed the bottle in SketchUp, I created the label in Adobe Illustrator and applied it to the bottle as a texture. At first I had some difficulty implementing the abstracted Archer Farms logo within the teardrop-shaped label. I decided to try repeating the teardrop shape, and this resulted in a readable logo that fit well with the rest of the design. I then exported the bottle to Photoshop as a Google Earth file. I found that the best way to create a sense of depth with a 3D object in Photoshop is to layer the object using different blending modes and fills. The resulting rough can be seen at the left.

The class critiqued each other’s works again and I made changes accordingly. I knew that I wanted to include multiple flavors of the Italian Soda in the final image, so I created new labels. In the process, I realized that the complementary color scheme I had been using did not translate well to other flavors. This motivated me to change to a monochromatic color scheme, which resulted in a clearer sense of what the flavors actually were. However, I was still struggling with how to make it an interesting image. Then, it dawned on me—around this time I had seen a few designs that used repetition, which I found very striking. They made me want to use repetition in my own work, and the multiple labels I had created presented the perfect opportunity. I fired up Illustrator and Photoshop once more and combined a ground of repeating labels with the new bottle design, creating an image that was both eye-catching and understandable. Overall, I would say that this project taught me to be willing to give up what I initially thought was best and try something different. I also learned to be open to spontaneity and to react to the design, rather than forcing it to conform to preconceptions of how it should be—in short, to let the design change itself.

The Archer Farms name & Rooster Design are registered trademarks of Target Brands, Inc.

Back from Hibernation

Nov 12

Hello, hello! I have had a quite significant hiatus so I suppose it’s about time I start using my blog again (otherwise what’s the point of having it?). I took a break from writing during the summer due mainly to the fact that I was working a full-time job and, well, I just needed a break. My family and I went on a vacation to South Dakota and Wyoming (Yellowstone Park, to be specific), which was wonderful. It was a great opportunity to snap a lot of pictures and I certainly took my share, most of which I have uploaded to my Flickr.

Since then, school has resumed and I am back in the Twin Cities, though this year I am living on the West Bank rather than St. Paul (yay for a social life!). The two design classes I am taking are Drawing and Illustration, which is pretty much what it sounds like, and Color and Form, which deals with monoprinting, screenprinting, and dyeing fabric. Another big part of the beginning of this year was portfolio review, a 15-minute session in which I present my academic work to the College of Design Board to determine if I am able to continue as a graphic design major or not. I am happy to say that I am no longer pre-graphic design, but have been accepted as a graphic design major.

In the meantime, I have been working on school projects and took some time to upload images of old projects into my CMYK portfolio. I will also be creating some posts showing some of my recent projects and the process work that goes along with them. Stay tuned!

The Mac Miracle Diet

Apr 22

Ok, I admit it - I can be very obsessive-compulsive about things. This especially applies to my electronic devices. I am paranoid about scratches on my laptop or iPod, and when it comes to my Macbook, I try my best to keep it running as fast as the day I got it. However, as an inevitable effect of normal use, there is one thing that is never the same despite my efforts: hard drive space. I take quite a few pictures which can quickly fill up a few GBs of space, and the extra applications I’ve installed certainly don’t make my HD any emptier. Needless to say, when I heard about the app Xslimmer, I was intrigued. Removing PowerPC portions of apps along with unnecessary language files? Why not? How could I resist the lure of a program that could save HD space while at the same time speeding up applications? I did a bit more research and decided to go ahead and take it for a spin. After all, the license only costs $12.95, so finding out it didn’t work wouldn’t be a complete tragedy. Once it was installed and set up, I quickly set it to work slimming down my apps. The Genie quickly found applications that could be cut down in size which I then approved for slimming. When all was said and done, Xslimmer shaved 1.15GB off of 2.75GB in applications. What’s more, it does speed up applications as promised. I’m not saying it will make your G4 iBook run like a new Mac Pro, but it is noticeable. After slimming I did a quick run-through with all of my programs to make sure the reduction process hadn’t corrupted any of them. I did find one problem - Symantec Scheduler would could no longer schedule tasks. However, this was easily undone thanks to the backups created by Xslimmer. One click had automatically restored Symantec Scheduler and blocked it from being slimmed in the future. I was also disappointed to find that many major CS3 applications cannot be slimmed. However, if I remember correctly, it is because Adobe will not update applications with changed code as a measure against piracy. Thankfully, Xslimmer has a Blacklist that blocks programs known to have problems with slimming, so finding the right CS3 programs to reduce was not an issue. Overall I’d say it is a polished and useful program. If you are like me and dislike wasted space on your hard drive, this application may just be your new favorite. Give it a whirl!

Hit List Entry No. 1

Apr 01

San Pellegrino logo vector provided by brandsoftheworld.comEvery designer has one - a hit list. The list of typefaces so gut-wrenching to that designer that he or she would do anything short of selling their soul to the devil to purge its very existence from the face of the earth. I have my own, and I’ll probably end up ranting about quite a few of them on more than one occasion. However, one that seems to be popping up more and more is Copperplate (aka Copperplate Gothic). I was reminded of it recently when I saw a bottle of San Pellegrino water while dining in an Italian restaurant. I realize that the Pellegrino logo does not actually use Copperplate, but the typeface is similar enough that it makes me think of it whenever I see their logo. Strangely enough, it actually doesn’t bother me when it’s on their bottles and I can’t seem to explain why. One obvious answer is that it’s different enough from Copperplate that it actually becomes, well, attractive. Another possibility is that I’ve gotten used to seeing that style typeface in a given setting, so it bothers me when I see it used [profusely] elsewhere. Yet another possibility is that Copperplate is the ugly twin that does everything wrong. Side by side, you notice that Copperplate is rather squat, and certain characters [such as the G and R] lack the same finesse seen in the San Pellegrino logo. At this moment, I can’t explain it and I may never be able to. To relate it back to food, perhaps it parallels my inexplicable feelings concerning mushrooms: I love fresh mushrooms, but canned mushrooms are a completely separate entity to me, despite the similarities.